Gustav Klimt: 100 Drawings
Category: Books,Arts & Photography,Individual Artists
Gustav Klimt: 100 Drawings Details
From the Back Cover Gustav Glück, director of Vienna's Kunsthistorisches Museum, wrote as early as 1922 of Gustav Klimt (1862–1918) that his drawings were perhaps his ultimate artistic achievement. This founder of Secessionsstil and leader of the revolt against the Viennese academies was able to achieve greater freedom in his drawings than in his more laboriously executed paintings. While there are only about two hundred completed oils, the drawings number in the thousands, and are reported to have at times quite littered his studio. He himself considered them finished works, and often exhibited them alongside his paintings.Klimt's subject matter is almost exclusively the female body, naked or half clothed. For this he earned the reputation of erotic artist, and while he did not suffer the outright persecutions of his successors Schiele and Kokoschka, he was nevertheless subjected to the trials that a frankly erotic artist had to undergo in Vienna, where the everyday subject of conversation was the current love affairs of celebrities but where audiences were shocked by the sight of a dancer's naked legs. An issue of Ver Sacrum which reproduced one of his drawings was confiscated by the authorities. The drawings reveal above all that concern of great draughtsmen from Michelangelo through Blake the marriage of subtle grace and expressive dynamism that is the human body. Like that of these two past masters, Klimt's method is essentially linear. He knew, as they did, that line, rather than shading, the creation of volume or the use of color, is the natural medium for expressing the freedom of the living human form. As he matured as an artist there was an increasing awareness of this and a greater and greater spontaneity that approached, finally, "the lightness of a net of gauze."An original Dover publication (1972), reproducing 100 Klimt drawings from originals and other sources. Introduction by Alfred Werner, the Austrian-born art historian, who has published several monographs on artists of Klimt's period. List of illustrations, including titles, sources, and original sizes. Read more
Related
- Johannes Vermeer Monthly Planner 2020: The Guitar Player Painting | Artistic Agenda Daily Organizer: January – December (12 Months) | Beautiful Large ... or Family Use (Weekly Art Planners 2020)
- Johannes Vermeer Notebook: A Lady Writing a Letter Journal | 100-Page Beautiful Lined Art Notebook | 6 X 9 Artsy Journal Notebook (Art Masterpieces)
- Johannes Vermeer Notebook: Woman with a Lute Journal | 100-Page Beautiful Lined Art Notebook | 6 X 9 Artsy Journal Notebook (Art Masterpieces)
- Johannes Vermeer Cuaderno: La Joven de la Perla | Elegante y Practico | Libreta Para Escribir | Para Tomar Notas (Cuadernos Para Escribir) (Spanish Edition)
- Johannes Vermeer 90 Dagen Planner: Meisje met de Parel | De Ideale Organizer | Agenda Voor 3 Maanden | Plan de Komende 12 Weken (Dutch Edition)
- Johannes Vermeer Carnet: Jeune Femme Jouant du Virginal | Beau Journal | Idéal pour l'École, Études, Recettes ou Mots de Passe | Parfait pour Prendre des Notes (French Edition)
- Johannes Vermeer Carnet: La Ruelle | Parfait pour Prendre des Notes | Beau Journal | Idéal pour l'École, Études, Recettes ou Mots de Passe (French Edition)
- Johannes Vermeer Cuaderno: Cristo en casa de Marta y María | Ideal para la Escuela, el Estudio, Recetas o Contraseñas | Perfecto Para Tomar Notas | Diario Elegante (Spanish Edition)
- Johannes Vermeer LARGE Notebook #3: Cool Artist Gifts - The Art of Painting Vermeer Van Delft Notebook College Ruled to Write in 8.5x11" LARGE 100 Lined Pages
- Johannes Vermeer Agenda Semanal 2020: Jesús Cristo en Casa de Marta y María | Planificador Mensual que Inspira Productividad | Con Calendario Mensual ... (Agenda 2020 Semana Vista) (Spanish Edition)
Reviews
Pros: A bunch of Gustav Klimpt sketches.Cons: You wish you had ten times as many.Gustav Klimpt displayed an amazing ability to let go of a lot of his classical training and turn towards and understanding of drawing not as an ever-increasing precision of draftsmanship, but as the ability to transform elements of line and form into playfully drawn elements of emphasis and decoration while maintaining likeness. I don't know that everyone would want to imitate him (or for that matter, his contemporary, Egon Schiele) but the elegance with which he renders and transforms line and form into expressive reworkings of the human figure is undeniably brilliant.I'm glad I own it.